Saturday, December 31, 2011

Delorean Back To The Future, Part III

  • 1:24 Scale Diecast Metal
  • Opening Doors and moving parts

Genre: Family
Rating: PG
Release Date: 10-FEB-2009
Media Type: DVDShot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. Fox's character ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. --Tom Keogh This highly realistic 1:24 scale diecast metal replica from the Universal Studios movie Back To The Future Part 3 is 7 inches long and comes with fine details such as opening doors and adjustable steering.

Amusement [Blu-ray]

  • Tabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance. mind-games vengeance.taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the three women
Tabitha. Shelby. Lisa. Theyre longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something someone wants payback: warped vengeance…mind-games vengeance…taunting, shredding, slashing vengeance. Inside a stonewalled chamber of prison cells and mechanisms of doom, the three women and other victims face a fierce fight to survive. Who lives? Who dies? Its all for someones Amusement. From sc! reenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, and cackles ring throughout the film. There is not a tremendous amount of gore in Amusement, as it focuses on what lit! tle suspense it manages, as citizens and FBI agents alike fail! to catc h the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie DaltonTabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance... mind-games vengeance...taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the! three women and other victims face a fierce fight to survive. Who lives? Who dies? It's all for someone's Amusement. From screenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, ! and cackles ring throughout the film. There is not a tremendou! s amount of gore in Amusement, as it focuses on what little suspense it manages, as citizens and FBI agents alike fail to catch the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie Dalton

Auto Expressions Backseat Organizer

  • Stylish, versatile way to clean up your car
  • Keeps everyday items neat, nearby and out of sight
  • Made from moisture resistant, easy-to-clean nylon
  • Hangs on the back or front of any passenger seat
  • Installs easily and fits most vehicles
Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did.

S! tarring a minor character from Jackson's bestselling gods in Alabama, BACKSEAT SAINTS will dazzle readers with its stunning portrayal of the measures a mother will take to right the wrongs she's created, and how far a daughter will travel to satisfy the demands of forgiveness.Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did.

Starring a minor character from Jackson's bestselling gods! in Alabama, BACKSEAT SAINTS will dazzle readers with its ! stunning portrayal of the measures a mother will take to right the wrongs she's created, and how far a daughter will travel to satisfy the demands of forgiveness.Rose Mae Lolley's mother disappeared when she was eight, leaving Rose with a heap of old novels and a taste for dangerous men. Now, as demure Mrs. Ro Grandee, she's living the very life her mother abandoned. She's all but forgotten the girl she used to be-teenaged spitfire, Alabama heartbreaker, and a crack shot with a pistol-until an airport gypsy warns Rose it's time to find her way back to that brave, tough girl . . . or else. Armed with only her wit, her pawpy's ancient .45, and her dog Fat Gretel, Rose Mae hightails it out of Texas, running from a man who will never let her go, on a mission to find the mother who did.

Starring a minor character from Jackson's bestselling gods in Alabama, BACKSEAT SAINTS will dazzle readers with its stunning portrayal of the measures a mother will take to right the wrongs! she's created, and how far a daughter will travel to satisfy the demands of forgiveness.The Auto Expressions Backseat Organizer is a stylish, versatile way to clean up your car. This organizer is designed to keep everyday items neat, nearby and out of sight. Made from moisture resistant, easy-to-clean nylon, it hangs on the back or front of any passenger seat. This organizer installs easily and fits most vehicles.

Friday, December 30, 2011

Americano

  • AMERICANO is set against the backdrop of the country s centuries-old Fiesta de San Ferm n, better known as The Running of the Bulls at Pamplona. Chris McKinley (Joshua Jackson), a recent college graduate backpacking through Europe, savors his last three days of freedom before boarding the career fast track back in the States. In Pamplona for The Running of the Bulls with his best friend, Ryan (Tim
AMERICANO is set against the backdrop of Spain's centuries-old Fiesta de San Fermín, better known as The Running of the Bulls at Pamplona. Chris McKinley (Joshua Jackson), a recent college graduate backpacking through Europe, savors his last three days of freedom before boarding the career fast track back in the States. In Pamplona for The Running of the Bulls with his best friend, Ryan (Timm Sharp), and Ryan's girlfriend Michelle (Ruthanna Hopper), Chris meets a quintessential Spanish beauty Adela! (Leonor Varela) and an enigmatic provocateur Riccardo (Dennis Hopper), both of whom encourage him to rethink his life. As the minutes and seconds until his departure tick away, Chris struggles with an age-old question - should he follow the beaten path, or risk it all on the road less traveled?

Thursday, December 29, 2011

Gone

  • ISBN13: 9780061448782
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

In the blink of an eye.

Everyone disappears.

Gone.

Everyone except for the young. Teens. Middle schoolers. Toddlers. But not a single adult. No teachers, no cops, no doctors, no parents. Gone, too, are the phones, internet, and television. There is no way to get help.

Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talentsâ€"unimaginable, dangerous, deadly powersâ€"that grow stronger by the day.

It's a terrifying new world. Sides are being chosen and war is imminent.

The first in a breathtaking saga about tee! ns battling each other and their darkest selves, gone is a page-turning thriller that will make you look at the world in a whole new way.


City of Men

  • As Seen on the SUNDANCE CHANNEL From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture tha
As Seen on the SUNDANCE CHANNEL

From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.

The CITY is a shantytown located in one of the many mountains of Rio de Jan! eiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure in the poverty-ridden neighborhood. The other three episodes of the first series carry on this riveting approach, mingling social observation with rich, compelling characters. From the s! econd series on, the show becomes less overtly political and m! ore abou t Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer

Cashback

  • Art student Ben Willis develops insomnia after going through a painful break-up. To kill time, he joins a colorful cast of characters on the late shift at the local supermarket. They all have their own time-killing devices, and Ben s allows him to see the beauty of the everyday world including the people inside it especially Sharon, the quiet checkout girl, who just may hold the answer to resolvin
Art student Ben Willis develops insomnia after going through a painful break-up. To kill time he joins a colorful cast of characters on the late shift at the local supermarket. They all have their own time-killing devices and Ben s allows him to see the beauty of the everyday world including the people inside it especially Sharon the quiet checkout girl who just may hold the answer to resolving Ben s insomnia. System Requirements:Running Time: 102 minsFormat: DVD MOVIE Genre: COMEDY Rating: NR U! PC: 876964000925 Manufacturer No: 10092A slight but likable British comedy-fantasy with a touch of naughtiness, Cashback is an expanded version of director Sean Ellis' Oscar-nominated short film of the same name about a bored supermarket clerk who discovers that he has the ability to stop time. Sean Biggerstaff (from the Harry Potter franchise) is Ben, a lovelorn young man whose chronic insomnia (due to a bad breakup) forces him to bury himself in pointless and repetitive work at a local grocery store. Once there, boredom causes him to believe that he can stop time, and he enjoys long and languid fantasies about undressing and sketching the female shoppers. But reality intrudes in the form of recollections of his troubled past, as well as the lovely presence of fellow clerk Sharon (Emilia Fox), who offers the promise of love in the real world. A gentle and artfully directed independent film, Cashback doesn't run very deep in terms of emotion, but the ! special effects are clever, the cast quirky and amusing, and i! ts premi se is an appealing mix of softcore reverie and boyish longing. - Paul Gaita

Sunday, December 25, 2011

Food, Inc.

  • In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation's food industry, exposing the highly mechanized underbelly that's been hidden from the American consumer with the consent of our government's regulatory agencies, USDA and FDA. Our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farm
Food, Inc. lifts the veil on our nation's food industry, exposing how our nation's food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the
livelihood of the American farmer, the safety of workers and our own environment. Food, Inc. reveals surprising and often shocking truths about what we eat, how it's produced and who we have become as a nation.

Q&A with Producer/Director Robert Kenner, Co-Producer/Fo! od Expert Eric Schlosser, Food Expert Michael Pollan and Producer Elise Pearlstein

How did this film initially come about?
Kenner: Eric Schlosser and I had been wanting to do a documentary version of his book, Fast Food Nation.  And, for one reason or another, it didn't happen. By the time Food, Inc. started to come together, we began talking and realized that all food has become like fast food, and all food is being created in the same manner as fast food.

How has fast food changed the food we buy at the supermarket?
Schlosser: The enormous buying power of the fast food industry helped to transform the entire food production system of the United States.  So even when you purchase food at the supermarket, you’re likely to be getting products that came from factories, feedlots and suppliers that emerged to serve the fast food chains.

How many years did it take to do this film and what wer! e the ch allenges?
Kenner: From when Eric and I began talking, about 6 or 7 years.  The film itself about 2 ½ years.  It has taken a lot longer than we expected because we were denied access to so many places.

Pearlstein: When Robby brought me into the project, he was adamant about wanting to hear all sides of the story, but it was nearly impossible to gain access onto industrial farms and into large food corporations.  They just would not let us in.  It felt like it would have been easier to penetrate the Pentagon than to get into a company that makes breakfast cereal.  The legal challenges on this film were also unique.  We found it necessary to consult with a first amendment lawyer throughout the entire filming process.

Who or what influenced your film?
Kenner: This film was really influenced by Eric Schlosser and Fast Food Nation, but then as we were progressing ! and had actually gotten funding, it became very influenced as well by Michael Pollan and his book Omnivore’s Dilemma. 

And then, as we went out into the world, we became really incredibly influenced by a lot of the farmers we met.

What was the most surprising thing you learned?
Kenner: As we set out to find out how our food was made, I think the thing that really became most shocking is when we were talking to a woman, Barbara Kowalcyk, who had lost her son to eating a hamburger with E. coli, and she’s now dedicated her life to trying to make the food system safer. It’s the only way she can recover from the loss of her child. But when I asked her what she eats, she told me she couldn't tell me because she would be sued if she answered.

Or we see Carol possibly losing her chicken farm … or we see Moe, a seed cleaner who’s just being sued for amounts that there’s no way he can pay, even thoug! h he’s not guilty of anything.  Then we realized there’s ! somethin g going on out there that supersedes foods. Our rights are being denied in ways that I had never imagined. And it was scary and shocking. And that was my biggest surprise.

So, what does our current industrialized food system say about our values as a nation?
Pollan:
It says we value cheap, fast and easy when it comes to food like so many other things, and we have lost any connection to where our food comes from.

Kenner: I met a cattle rancher and he said, you know, we used to be scared of the Soviet Union or we used to think we were so much better than the Soviet Union because we had many places to buy things.  And we had many choices.  We thought if we were ever taken over, we’d be dominated where we’d have to buy one thing from one company, and how that’s not the American way.  And he said you look around now, and there’s like one or two companies dominating everything in the food world. We’ve become what ! we were always terrified of.

And that just always haunted me â€" how could this happen in America?  It seems very un-American that we would be so dominated, and then so intimidated by the companies that are dominating this marketplace.

How has the revolving door relationship between giant food companies and Washington affected the food industry?
Pearlstein:
We discovered that the food industry has managed to shape a lot of laws in their favor.  For example, massive factory farms are not considered real factories, so they are exempt from emissions standards that other factories face.  A surprising degree of regulation is voluntary, not mandatory, which ends up favoring the industry. 

What have been the consequences for the American consumer?
Kenner:
Most American consumers think that we are being protected.  But that is not the case.  Right now the USDA does not have the authority to shut down a plant ! that is producing contaminated meat.  The FDA and the USDA ha! ve had t heir inspectors cut back.  And it’s for these companies now to self-police, and what we’ve found is, when there’s a financial interest involved, these companies would rather make the money and be sued than correct it.  Self-policing has really just been a miserable failure.  And I think that's been really quite harmful to the American consumer and to the American worker. 

Pearlstein: The food industry has succeeded in keeping some very important information about their products hidden from consumers.  It’s outrageous that genetically modified foods don’t need to be labeled.  Today more than 70% of processed foods in the supermarket are genetically modified and we have absolutely no way of knowing.  Whatever your position, you should have the right to make informed choices, and we don’t.  Now the FDA is contemplating whether or not to label meat and milk from cloned cows.  It seems very basic that consumers should have the right t! o know if they’re eating a cloned steak.

Is it possible to feed a nation of millions without this kind of industrialized processing?
Pollan:
Yes.  There are alternative ways of producing food that could improve Americans’ health.  Quality matters as much as quantity and yield is not the measure of a healthy food system.  Quantity improves a population’s health up to a point; after that, quality and diversity matters more.  And it’s wrong to assume that the industrialized food system is feeding everyone well or keeping the population healthy.  It’s failing on both counts.

There is a section of the film that reveals how illegal immigrants are the faceless workers that help to bring food to our tables.  Can you give us a profile of the average worker?
Schlosser:
The typical farm worker is a young, Latino male who does not speak English and earns about $10,000 a year.  The typical meatpacking worker ha! s a similar background but earns about twice that amount.  A ! very lar ge proportion of the nation’s farm workers and meatpackers are illegal immigrants.

Why are there so many Spanish-speaking workers?
Kenner:
The same thing that created obesity in this country, which is large productions of cheap corn, has put farmers out of work in foreign countries, whether it’s Mexico, Latin America or around the world.  And those farmers can no longer grow food and compete with the U.S.’ subsidized food.  So a lot of these farmers needed jobs and ended up coming into this country to work in our food production.

And they have been here for a number of years.  But what’s happened is that we’ve decided that it’s no longer in the best interests of this country to have them here.  But yet, these companies still need these people and they’re desperate, so they work out deals where they can have a few people arrested at a certain time so it doesn’t affect production. But it affects people’s lives.  And ! these people are being deported, put in jail and sent away, but yet, the companies can go on and it really doesn’t affect their assembly line.  And what happens is that they are replaced by other, desperate immigrant groups.

Could the American food industry exist without illegal immigrants?
Schlosser:
The food industry would not only survive, but it would have a much more stable workforce.  We would have much less rural poverty.  And the annual food bill of the typical American family would barely increase.  Doubling the hourly wage of every farm worker in this country might add $50 at most to a family’s annual food bill.

What are scientists doing to our food and is it about helping food companies’ bottom line or about feeding a growing population?
Schlosser:
Some scientists are trying to produce foods that are healthier, easier to grow, and better for the environment.  But most of the food scientists ar! e trying to create things that will taste good and can be made! cheaply without any regard to their social or environmental consequences.

I am not opposed to food science.  What matters is how that science is used … and for whose benefit.

Can a person eat a healthy diet from things they buy in the supermarket if they are not buying organic? If so, how?
Pollan:
Yes, the supermarkets still carry real food.  The key is to shop the perimeter of the store and stay out of the middle where most of the processed food lurks.

How are low-income families impacted at the supermarket?
Kenner:
Things are really stacked against low-income families in this country.  There is a definite desire of the food companies to sell more product to these people because they have less time, they’re working really hard and they have fewer hours in their day to cook.  And the fast food is very reasonably priced.  Coke is selling for less than water.  So when these things are happening, it’s easi! er for low-income families sometimes to just go in and have a quick meal if they don’t get home until 10 o’clock at night.  At the moment, our food is unfairly priced towards bad food.

And, in the same way that tobacco companies went after low-income people because they were heavy users, food companies are going after low-income people because they can market to them, they can make it look very appealing.

What can low-income families do to eat healthier?
Schlosser:
As much as possible, they can avoid cheap, processed foods and fast foods.  It’s possible to eat well and inexpensively.  But it takes more time and effort to do so, and that’s not easy when you’re working two jobs and trying to just to keep your head above water.  The sad thing is that these cheap foods are ultimately much more expensive when you factor in the costs of all the health problems that come later.

Pollan: It’s possible to ! eat healthy food on a budget but it takes a greater investment! of time .  If you are willing to cook and plan ahead, you can eat local, sustainable food on a budget.

If someone wanted to get involved and help change the system, what would you suggest they do?
Pearlstein:
I hope people will want to be more engaged in the process of eating and shopping for food.  We have learned that there are a lot of different fronts to fight on this one, and people can see what most resonates with them.  Maybe it’s really just “voting with their forks” â€" eating less meat, buying different food, buying from companies they feel good about, going to farmers markets.

People can try to find a CSA â€" community supported agriculture â€" where you buy a share in a farm and get local food all year.  That really helps support farmers and you get fresh, seasonal food.  On the local political level, people can work on food access issues, like getting more markets into low income communities, getting better lunch program! s in schools, trying to get sodas out of schools.  And on a national level, we’ve learned that reforming the Farm Bill would have a huge influence on our food system. It requires some education, but it is something we should care about.

What do you hope people take away from this film?
Schlosser:
I hope it opens their eyes.

Kenner: That things can change in this country. It changed against the big tobacco companies.  We have to influence the government and readjust these scales back into the interests of the consumer.  We did it before, and we can do it again.

Pollan: A deeper knowledge of where their food comes from and a sense of outrage over how their food is being produced and a sense of hope and possibility of the alternatives springing up around the country.  Food, Inc. is the most important and powerful film about our food system in a generation.

For most Americans, the ! ideal meal is fast, cheap, and tasty. Food, Inc. examin! es the c osts of putting value and convenience over nutrition and environmental impact. Director Robert Kenner explores the subject from all angles, talking to authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (Fast Food Nation), Michael Pollan (The Omnivore's Dilemma), Gary Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for more rigorous standards since E. coli claimed the life of her two-year-old son. The filmmaker takes his camera into slaughterhouses and factory farms where chickens grow too fast to walk properly, cows eat feed pumped with toxic chemicals, and illegal immigrants risk life and limb to bring these products to market at an affordable cost. If eco-docs tends to preach to the converted, Kenner presents his findings in such an engaging fashion that Food, Inc. may well reach the very viewers who could benefit from it the most: harried workers who don't have the time or income to read every book and eat ! non-genetically modified produce every day. Though he covers some of the same ground as Super-Size Me and King Corn, Food Inc. presents a broader picture of the problem, and if Kenner takes an understandably tough stance on particular politicians and corporations, he's just as quick to praise those who are trying to be responsible--even Wal-Mart, which now carries organic products. That development may have more to do with economics than empathy, but the consumer still benefits, and every little bit counts. --Kathleen C. Fennessy

Friday, December 16, 2011

Haiku Tunnel Poster Movie 11x17 Josh Kornbluth Warren Keith Leah Alperin

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Haiku Tunnel 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
When office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbl! uth occasionally talks directly to the camera, offering amusing commentary) that vividly captures the insidious anxiety that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerWhen office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbluth occasionally talks di! rectly to the camera, offering amusing commentary) that vivid! ly captu res the insidious anxiety that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerWhen office temp Josh Kornbluth (played, in semiautobiographical style, by Josh Kornbluth) is offered a permanent position as secretary for a high-powered attorney, his entire world begins to crumble. The psychological pressure of commitment proves almost too much to bear, leading him to delay mailing 17 very important letters--an oversight that forces him into an all-night adventure that is simultaneously petty and epic. Kornbluth has gained prominence in the world of solo performance, but this is a fully realized film (albeit one in which Kornbluth occasionally talks directly to the camera, offering amusing commentary) that vividly captures the insidious anxiety ! that office work can inspire. Kornbluth's plump face is engaging; you'll find yourself oddly touched (and a little appalled) by his self-destructive behavior. Haiku Tunnel is a strong contribution to the expanding subgenre of office comedies. --Bret FetzerHaiku Tunnel reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Wednesday, December 14, 2011

Down to Earth

  • Condition: New
  • Format: DVD
  • Anamorphic; Closed-captioned; Color; DVD; Widescreen; NTSC
When an African American stand up comedian prematurely dies, the angels in heaven supply him with the body of an eldery white tycoon, so that he can return to earth.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 2-JAN-2007
Media Type: DVDA tepid reworking of Warren Beatty's Heaven Can Wait (itself a remake of 1941's Here Comes Mr. Jordan), Down to Earth tries to mold comedian Chris Rock into an amiable romantic lead, but it softens the scathingly observant humor that made Rock a standup successor to Richard Pryor. Rock's aggressive style is bracingly expressed in a few good scenes, but through most of this movie--from the directors of American Pie--he struggles with dialogue that would barely pass muster in a low-rate! d sitcom. Edgy potential loses out to crowd-pleasing with the familiar body-switch formula: by way of premature death and bad timing on the part of heaven's Vegas-styled gatekeepers (played by Eugene Levy and Chazz Palminteri), Rock--as struggling comedian Lance Barton--is reincarnated as a 55-year-old white billionaire with a nasty reputation.

Adjusting (too easily) to his racial transition, Lance charms a hospital administrator (Regina King) who's amazed to see the selfish white billionaire turning into romantic philanthropist. This allows plenty of black/white-contrast jokes (did you ever see a fat, middle-aged white guy who's into hip-hop?), and Rock, who cowrote the screenplay, still manages to work some pointed politics into the movie's good-natured tone. It's guaranteed that some will find Down to Earth quite entertaining, but others will wonder how potent this comedy could have been if Rock had been more willing to confront the harsher truths that lurk b! eneath the humor. --Jeff Shannon

Exit Wounds

  • A tough but burned-out New York City policeman assigned to a remote Long Island precinct uncovers corruption among his fellow officers there.Running Time: 101 min. Format: DVD MOVIE Genre: MYSTERY/SUSPENSE Age: 085392106929 UPC: 085392106929 Manufacturer No: 21069
A tough but burned-out New York City policeman assigned to a remote Long Island precinct uncovers corruption among his fellow officers there.

DVD Features:
Documentary
Featurette
Filmographies
Music Video:by DMX
Theatrical Trailer

One can always count on Steven Seagal to act as the repository of yesterday's action-film clichés, and Exit Wounds is yet another case in point. Seagal plays Detroit cop Orin Boyd, a lone wolf lawman who gets in the middle of his precinct's losing battle against police corruption. Taking on a powerful but crooked cop named Montin! i (David Vadim)--who is busy making deals with a rich gangster (DMX)--Boyd soon sends fists and feet flying while Tom Arnold provides the comic relief. Director Andrzej Bartkowiak surely had less fun guiding Seagal through slow-motion fight sequences than he did Jet Li in Romeo Must Die, but as compensation he gets to work with the mesmerizing DMX, who looks as though he has leading-man possibilities. Plenty of gratuitous gore, awful cop banter, and miles of cleavage courtesy of Jill Hennessy, who plays Boyd's tough-as-nails boss. --Tom Keogh

Footprints In The Sand Religious Picture Framed Art Print

  • Framed Art is Brand New
  • Framed Art measures 10x12 inches Art Print measures 8x10 inches
  • Solid Wood Frame, Real Glass Front
  • Custom Finished and Expertly Crafted
  • Comes Ready To Hang
Keep the message of the popular "Footprints in the Sand" allegory close to your heart with this inscribed sterling silver pendant. It has a puff heart shape, with a footprint design on one side, and a quote from the poem on the other. Showcased on an 18-inch sterling silver box chain, this special pendant is a beautiful talisman for everyday.This beautiful framed art goes well in any room. Artwork and frame are manufactured in the United States by Art Prints Inc. using quality materials such as premium grade A solid hardwood, tempered picture frame glass, and high quality acid free lithograph art paper.

Sunday, December 11, 2011

Chef Works F8 Butcher Apron, 34-Inch Length by 24-Inch Width, Hunter Green

  • 65/35-Poly/cotton fabric with soil release finish
  • Reinforced stress points. Adjustable neck closure
  • Extra long finished ties. Center-divided patch pockets. 34-Inch length by 24-Inch width
  • Available colors: white, black, red, royal blue, hunter green
  • Machine wash with like colors, tumble try low
From four of today’s hottest fantasy authorsâ€"all-new novellas of dark nights, cruel cities, and paranormal P.I.s.

The best paranormal private investigators have been brought together in a single volumeâ€"and cases don’t come any harder than this.

New York Times bestselling author Jim Butcher delivers a hard-boiled tale in which Harry Dresden’s latest case may be his last.

Nightside dweller John Taylor is hired by a woman to find something she lostâ€"her memoryâ€"in a thrilling noir tale from New York Times bestselling ! author Simon R. Green.

National bestselling author Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.

For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by national bestselling author Thomas E. Sniegoski.Orphaned computer expert Calista Cross is a graduate of the Deveraux College, the highly secret school for teenage spies. And at the moment, she's not coping. Ben Stanton's death has hit her hard and she's so unfocused that she's in danger of being mind-wiped and expelled by the Devereaux organisation. What Cally needs is some action, and a new case involving the suspicious deaths of several nanotech specialists seems just the thing. But an anonymous email hinting that Cally could be close to finding ! out about her parents turns the case from professional to very! , very p ersonal. And more than one surprise is waiting for her. Look out for: EDWARD RED - ANGEL BLUE - BENJAMIN WHITE - JAKE BLACK - AGENT ORANGE An anthology of "solid and suspenseful" novellas from

#1 New York Times bestselling author
Jim Butcher

New York Times bestselling author
Simon R. Green

National bestselling authors
Kat Richardson
Thomas E. Sniegoski


Here are four novellas featuring Harry Dresden, John Taylor, Harper Blaine, and Remy Chandler...paranormal private investigators who walk the streets no one else can walk and take the jobs no one else will take...

Of course, if a case involves werewolves, zombies, demons, or other "unusual" circumstances, it may cost a bit extra.

An anthology of "solid and suspenseful" novellas from

#1 New York Times bestselling author
Jim Butcher

New York Times bestselling author
Simon R. Green

Na! tional bestselling authors
Kat Richardson
Thomas E. Sniegoski


Here are four novellas featuring Harry Dresden, John Taylor, Harper Blaine, and Remy Chandler...paranormal private investigators who walk the streets no one else can walk and take the jobs no one else will take...

Of course, if a case involves werewolves, zombies, demons, or other "unusual" circumstances, it may cost a bit extra.

From Academy Award-winning director Anders Thomas Jensen and in the vein of "Delicatessen" and "Eating Raoul," "The Green Butchers" brings you the dynamic duo of Bjarne and Svend, two pals who decide to open their own butcher shop. Grappling with a competitive market and an evil ex-boss, the two come up with a special dish that suddenly has everyone flocking to their counter and dying for more. As business heats up however, so does the competition and suddenly everyone is asking about Bjarne and Svend's "special ingredients."

True Believer

  • ISBN13: 9780446618151
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Jeremy Marsh is a born skeptic and a science journalist who specializes in debunking the supernatural. When he hears about ghostly apparitions in a cemetery in Boone Creek, North Carolina, he leaves his beloved New York City for this small, rural town-and what his instincts tell him could make a great story. What he doesn't plan on is meeting and falling hopelessly in love with Lexie Darnell, who is sure of one thing: her future is here in Boone Creek, close to the people she loves. Now, if the young lovers are to be together, Jeremy must make a difficult choice: return to the life he knows in New York, or do something he could never do before... take a giant leap of faith.

Hush, Hush

  • ISBN13: 9781416989424
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Inside the closed community of Borough Park, where most Chassidim live, the rules of life are very clear, determined by an ancient script written thousands of years before down to the last detailâ€"and abuse has never been a part of it. But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.

A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past,! and illuminates the conflict between yesterday's traditions and today's reality.
The complete critically acclaimed and best-selling tale is now available in one sensational hardcover volume.

BATMAN: HUSH is a thrilling mystery of action, intrigue, and deception penned by Jeph Loeb (BATMAN: THE LONG HALLOWEEN) and illustrated by comics superstar Jim Lee (ALL STAR BATMAN & ROBIN, THE BOY WONDER) in which Batman sets out to discover the identity of a mysterious mastermind using the Joker, Riddler, Ra's al Ghul and the Dark Knight's other enemies - and allies - as pawns in a plan to wreak havoc.Criminal profiler Ivy Dunlap is an expert at unraveling the psyches of the most dangerous men alive. She understands the killer instinct. But even Ivy has her limits. And the Madonna Murderer will test them...

"A deeply engrossing read, Hush delivers a creepy villain, a chilling plot, and two remarkable investigators." (Lisa Gardner)

Four months after th! eir separation, marketing consultant Lake Warren faces a tough! legal b attle with her husband, Jack, for custody of their two kids. Though the timing couldn't be worse, she finds herself responding to the flirtations of Dr. Mark Keaton, her handsome colleague at the Advanced Fertility Center. But the morning after their one-night stand, Lake discovers Keaton with his throat slashed.

Afraid of losing her children forever, Lake lies to the policeâ€"and begins searching for the truth on her own before she can be charged with the heinous crime. She starts getting hostile treatment from her coworkers, and strange clues start appearing, quite literally, on her doorstep. Soon Lake is pulled dangerously close to the very dark secrets surrounding the slain man and the clinic where they worked. And suddenly the police are not the only ones hunting Lake Warren.

For Nora Grey, romance was not part of the plan. At least, not until Patch came along. With his easy smile and probing eyes, Nora is drawn to him against her better judgment. But after! a series of terrifying encounters, Nora’s not sure who to trustâ€"she can’t decide whether she should fall into Patch’s arms or run and hide from him. And when she tries to seek some answers, she finds herself near a truth more unsettling than any feeling Patch evokes. For Nora stands amid an ancient battle between the immortal and those who have fallenâ€"and choosing the wrong side will cost her life.

Monday, December 5, 2011

Howl's Moving Castle

  • 2-disc special edition features both the original Japanese soundtrack and an English language soundtrack
  • Behind the Microphone featurette with the English language voice cast and footage from the dubbing sessions
  • Interview with Pixar Animation Studios Director, Pete Docter
  • Hayao Miyazaki Visits Pixar Animation Studios with Pixar director John Lasseter
  • Complete storyboards set to the movie soundtrack
In Hayao Miyazaki's latest animated masterpiece, journey beyond imagination and enter a "breathtaking fantasy world" (Kenneth Turan, Los Angeles Times) filled with adventure, humor and heart. Sophie, a quiet girl working in a hat shop, finds her life thrown into turmoil when she is literally swept off her feet by a handsome but mysterious wizard named Howl. The vain and vengeful Witch of the Waste, jealous of their friendship, puts a spell on Sophie. In a life-chang! ing adventure, Sophie climbs aboard Howl's magnificent flying castle and enters a magical world on a quest to break the spell. Featuring the voice talents of Jean Simmons, Christian Bale, Lauren Bacall, Blythe Danner, and Billy Crystal, Miyazaki's artistry comes to life on DVD with inventive characters, unique storytelling and richly detailed animation. (c) 2004 Nibariki • GNDDDTLike a dream, Howl's Moving Castle carries audiences to vistas beyond their imaginations where they experience excitement, adventure, terror, humor, and romance. With domestic box office receipts of over $210 million, Howl passed Miyazaki's Princess Mononoke to become the #3 film in Japanese history, behind his Spirited Away and James Cameron's Titanic. Based on a juvenile novel by Diana Wynne Jones, Howl's Moving Castle marks the first time Miyazaki has adapted another writer's work since Kiki's Delivery Service (1989). Sophie, a 19-year-old g! irl who believes she is plain, has resigned herself to a drab ! life in her family's hat shop--until the Witch of the Waste transforms her into a 90-year-old woman. In her aged guise, Sophie searches for a way to break the Witch's spell and finds unexpected adventures. Like Chihiro, the heroine of Spirited Away, Sophie discovers her hidden potential in a magical environment--the castle of the title. Using CG, Miyazaki creates a ramshackle structure that looks like it might disintegrate at any moment. Sophie's honesty and determination win her some valuable new friends: Markl, Howl's young apprentice; a jaunty scarecrow; Calcifer, a temperamental fire demon; and Heen, a hilarious, wheezing dog. She wins the heart of the dashing, irresponsible wizard Howl, and brings an end an unnecessary and destructive war. The film overflows with eclipsing visuals that range from frightening aerial battles to serene landscapes, and few recent features--animated or live action--offer as much magic as Howl's Moving Castle. --Charles Solomon !

The Many Worlds of Hayao Miyazaki


The works of Miyazaki

The Book

The Art of Howls' Moving Castle (book)

Stills from Howl's Moving Castle (click for larger image)

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Sunday, December 4, 2011

Dogville

  • DVD Details: Actors: Nicole Kidman, Harriet Andersson, Lauren Bacall, Jean-Marc Barr, Paul Bettany
  • Directors: Lars von Trier
  • Format: Closed-captioned, Color, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: August 24, 2004; Run Time: 178 minutes
Recording star bjork is miraculous as selma a factory worker in ruarl america and single mother who is losing her eyesight from a hereditary disease. Determined to protect her 10-year-old son from the same fate selma is saving her money to get him an operation. Studio: New Line Home Video Release Date: 02/08/2005 Starring: Catherine Deneuve David Morse Run time: 141 minutes Rating: R Director: Lars Von TrierMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were tho! se who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a l! oan, she refuses, but he later returns and steals the money, w! hich she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?

Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseMasterpiece or masquerade? Lars von Trier's digicam musical split the critics in two when it debuted at Cannes in 2000. There were those who saw it as a cynical shock-opera from a manipulative charlatan, others wept openly at its scenes of raw emotion and heart-rending intensity. There is, however, no in-between. Dancer in the Dark! is that rarest of creatures, a film that dares to push viewers to the limits of their feelings.

In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a loan, she refuses, but he later returns and steals the money, which she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will ju! stice prevail?

Von Trier's passionate, provocative film ru! ns all o ur emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseDOGVILLE - DVD MovieThe latest galvanizing and controversial film from Lars von Trier (Dancer in the Dark, Breaking the Waves, The Kingdom), Dogville uses ingenious theatricality to tell the Depression-era story of Grace (Nicole Kidman, The Others), a beautiful fugitive who stumbles onto a tiny town in the Rocky Mountains. Spurred on by Tom (Paul Bettany, Master and Commander), who fancies himself the town's moral guide, the citizens of Dogville first resist Grace, then embrace her, then res! ent and torment her--little realizing they will pay a price for their selfish brutality. The town is indicated by fragments of building and chalk outlines on a soundstage floor, stylishly pointing to the movie's roots in classic plays (particularly Thornton Wilder's Our Town and Friedrich Durrenmatt's The Visit). Several critics have stridently attacked Dogville as anti-American, but the movie's dark, compelling view applies as easily to Rwanda, Bosnia, the Middle East, or pretty much anywhere in the world. Also featuring Lauren Bacall, Patricia Clarkson, Jeremy Davies, Stellan Skarsgârd, Chloe Sevigny, and many more. --Bret Fetzer

RVCA Men's Harmony Guitars Tee, Navy, X-Large

  • Heavier weight
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RVCA's industrial tee

Saturday, December 3, 2011

Household Tales by Brothers Grimm

  • ISBN13: 9781604444117
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Children's and Household Tales (German: Kinder- und Hausmärchen) is a collection of German origin fairy tales first published in 1812 by Jacob and Wilhelm Grimm, the Brothers Grimm. The collection is commonly known today as Grimm's Fairy Tales (German: Grimms Märchen). The influence of the book was widespread. W. H. Auden praised it, during World War II, as one of the founding works of Western culture...

Bullet

  • BulletMickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action f
A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slow! ly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer Two killers are hiding where no one will ever find them...behind their badges! Tupac Shakur (in hisfinal and most riveting performance) and James Belushi are two corrupt police detectives caught in a dangerous web of deceit in this "gritty, smart and tough" (CBS-TV) action thriller that will hold you in its grip from start to finish. Detectives Divinci (Belushi) and Rodriguez (Shakur) practice their own deadly brand of street justice: They set up drug deals, seize the money for themselves and then murder the dealers. It's a lucrative racket that has worked without a hitch for months. But when they discover that their latest victim was an under! cover officer with the Drug Enforcement Agency, the two corrup! t cops a re forced to initiate a dangerous scheme to save their own lives. And as their "foolproof" plan begins to spin madly out of control, Divinci and Rodriguez are trapped in a tornado of suspicion, betrayal and murder in which they can trust no one...not even each other.A classic example of a good idea ruined by Hollywood formulas. Jim Belushi and Tupac Shakur (in his last performance) are two corrupt cops with an effective scheme: they rob and kill drug dealers. Unfortunately, one of their victims turns out to be an undercover agent for the DEA, and the two bad cops have to scramble to find a suspect to pin the murder on. Soon they're caught in a web of missing evidence, false witnesses, and frayed nerves--Gang Related could have been a lean film noir, slowly tightening until the men break under the pressure. Unfortunately, this isn't the 1940s, and suddenly the plot takes an absurd twist into the most melodramatic coincidence imaginable. It's too bad. Also featuring the! lovely Lela Rochon, James Earl Jones, David Paymer, and a surprise performance by Dennis Quaid. --Bret Fetzer When their friend Cookie o.d.'s, best buddies and musicians Spoon (Tupac Shakur) and Stretch (Tim Roth) decide it's time to kick their drug habit by putting themselves into detox. But they soon discover that the road to rehab is paved with reams of social service red tape. Spoon and Stretch are just trying to stay alive until they can get treatment. But, between the angry drug dealers, the cops who have mistaken them for murderers, and the people with forms and clipboards, this turns into a task of epic proportions. Thus enfolds their comic adventure to sobriety- a hilarious, action-packed journey from A to Z and back again. Starring: Tim Roth, Tupac Shakur, Thandie Newton Directed by: Vondie Curtis-HallBritish actor Tim Roth and the rapper Tupac Shakur are an unexpectedly charismatic and refreshing duo in this off-beat buddy movie. Closer than two brot! hers, these junkie musicians vow to kick their habits after a ! soul-sha ttering New Year's Eve. Gridlock'd is fueled by characterization, of which there is plenty, as the two play off one another with such finesse you would never know Shakur had been a relative novice to the acting profession. Off-beat humor lightens a bleak reality as these outcasts run smack against a brutal bureaucracy. Except for a tired subplot meant to jazz up the action, director Vondie Curtis-Hall employs an inventive approach in this sadly ignored theatrical release. --Rochelle O'Gorman Bullet Mickey Rourke and rap music star Tupac Shakur, in one of his final film roles, star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine, it's a stylish mix of brutality and revenge, it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action films-powerful, violent and real. Mickey Rourke is Butch "Bullet" Stein and th! e late Tupac Shakur is Tank in this stylish, Julien Temple-directed crime drama. Narrative is secondary to atmosphere in the violent, yet sensitive tale of an ex-con (Rourke) attempting to adjust to life on the outside. The minute Bullet emerges from the pen, however, the blood and profanity begin to flow just as freely as the references to Dali and Picasso (his younger brother is an artist). His drug problem is bad enough, but the biggest threat comes from the Kangol-sporting, eye-patched Tank, who intends to get his revenge for the eye Bullet took from him. Classical music and opera, meanwhile, bump up against hip-hop and Barry White. Despite the billing, this is Rourke's show all the way and Tupac's part is quite small in comparison. Ted Levine (The Silence of the Lambs) and Adrien Brody (The Pianist) star as Bullet's eccentric brothers. --Kathleen C. Fennessy

Beloved

  • Oprah Winfrey and Danny Glover play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme.On a difficult journey to find freedom, Sethe is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and reg
(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the ! angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

! A dead child, a runaway slave, a terrible secret--these are ! the cent ral concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners o! f the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of ! her baby's death start to make terrible sense. And as past me! ets pres ent in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix WilberShows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Oprah Winfrey (THE COLOR PURPLE) and Danny Glover (LETHAL WEAPON IV, THE ROYAL TENENBAUMS) play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme -- the Academy Award(R)-winning director of THE SILENCE OF THE LAMBS. On a difficult journey to find freedom, Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past (Glover) unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Al! so featuring outstanding performances from Thandie Newton (GRIDLOCK'D) and Lisa Gay Hamilton (TV's THE PRACTICE) -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films!This layered film, a labor of love from director Jonathan Demme and star Oprah Winfrey, covers a lot of turf in its nearly three-hour running time. Part slavery fable, part mother-daughter tale, part ghost story, Beloved demands an audience's full attention from its dramatic, slightly bewildering opening, when a family dog comes down on the wrong side of some angry, unseen force. But Demme and his talented cast provide an unforgettable payoff for those who surrender.

The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, productive life in Ohio. Yet through chilling, sparing use of flashback, Demme slowly unveils, ! as does the Toni Morrison masterpiece on which the film is bas! ed, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home.

While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley

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