Beautiful Creatures (Beautiful Creatures, Book 1)

• ISBN13: 9780316077033
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection bet! ween them.

In a town with no surprises, one secret could change everything.Ethan Wate is struggling to hide his apathy for his high school "in" crowd in small town Gatlin, South Carolina, until he meets the determinedly "out" Lena Duchannes, the girl of his dreams (literally--she has been in his nightmares for months). What follows is a smart, modern fantasy--a tale of star-crossed lovers and a dark, dangerous secret. Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery until you emerge gasping and blinking, wondering what happened to the last few hours (and how many more you're willing to give up). To tell too much of the plot would spoil the thrill of discovery, and believe me, you will want to uncover the secrets of this richly imagined dark fantasy on your own. --Daphne Durham

Amazon Exclusive Interview with Kami Garcia an! d Margaret Stohl, Authors of Beautiful Creatures < /strong>

What does your writing process look like? Is it tough to write a book together? Did you ever have any knock-down drag-out fights over a plot point or character trait?

Margie: The best way to describe our writing process is like a running stitch. We don't write separate chapters, or characters. We pass the draft back and forth constantly, and we actually write over each other's work, until we get to the point where we truly don't know who has written what.

Kami: By the end of the book, we don't even know. The classic example is when I said, "Marg, I really hate that line. It has to go." And she said, "Cut it. You wrote it."

Margie: I think we were friends for so long before we were writing partners that there was an unusual amount of trust fr! om the start.

Kami: It's about respect. And it helps that we can't remember when who wrote the bad line.

Margie: We save our big fights for the important things, like the lack of ice in my house or how cold our office is. And why none of my YouTube videos are as popular as the one of Kami's three-fingered typing…okay, that one is understandable, given the page count for "Beautiful Creatures."

Kami: What can I say? I was saving the other seven fingers for the sequel.

What kinds of books do you like to read?

Kami: I read almost exclusively Young Adult fiction, with some Middle Grade fiction thrown in for good measure. As a Reading Specialist, I work with children and teens in grades K-12, so basically I read what they read.

Margie: When I write it comes from the same place as when I read: wanting to hang out with fictional characters in fictional worlds. I identify more as a reader than a writer; I ! just have to write it first so I can read it.

! Wha t books/authors have inspired you?

Kami: "To Kill a Mockingbird" by Harper Lee, "A Good Man is Hard to Find & Other Stories" by Flannery O'Connor, "Fahrenheit 451" by Ray Bradbury and "The Witching Hour" by Anne Rice. I also love Pablo Neruda.

Margie: I think Harper Lee is the greatest writer alive today. Eudora Welty is my other Southern writer kindred; I was obsessed with her in grad school. Susan Cooper and Diana Wynne Jones made me love fantasy, and my favorite poets are Emily Dickinson (at Amherst College, I even lived on her street) and Stevie Smith.

Did you set out to write fiction for young adults? Why?

Kami: We actually wrote "Beautiful Creatures" on a dare from some of the teen readers in our lives.

Margie: Not so much readers as bosses.

Kami: Looking back, we wrote it sort of like the serialized fiction of Charles Dickens, turning in pages to our teen readers every week.

Margi! e: And by week she means day.

Kami: When we were getting texts in the middle of the night from teens demanding more pages, we knew we had to finish.

Margie: As it says in our acknowledgements, their asking what happened next changed what happened next. Teens are so authentic. That's probably why we love YA. Even when it's fantasy, it's the emotional truth.

A lot of us voracious readers like to cast a book after reading it. Did you guys have a shared view of who your characters are? Did each of you take a different character to develop, or did you share every aspect?

Kami: We've never cast our characters, but we definitely know what they look like. Sometimes we see actors in magazines and say, "Lena just wore that!"

Margie: We create all our characters together, but after a point they became as real as any of the other people we know. We forget they're not.

Kami: I never thought of it like t! hat. I guess we do spend all our time talking about imaginary ! people. Margie: So long as it's not to them…

Did you always plan to start the book with Ethan's story? Why?

Kami: We knew before we started that we wanted to write from a boy's point of view. Margie and I both have brothersâ€"-six, between us-â€"so it wasn't a stretch. It's an interesting experience to fall in love with the guy telling the story rather than the guy the story is about.

Margie: We do kind of love Ethan, so we wanted there to be more to him than just the boy from boy meets girl.

Kami: He's the guy who stands by you at all costs and accepts you for who you are, even if you aren't quite sure who that is.

What is on your nightstand now?

Kami: I have a huge stack, but here are ones at the top: "Mama Dip's Kitchen," a cookbook by Mildred Council, "The Demon's Lexicon" by Sarah Rees Brennan, "Shadowed Summer" by Saundra Mitchell, "Rampant" by Diana Peterfreund, and an Advanced Reader Copy of ! "Sisters Red" by Jackson Pearce.

Margie: I have Robin McKinley's "Beauty," Maggie Stiefvater's "Ballad," Kristen Cashore's "Fire," Libba Bray's "Going Bovine," and "Everything Is Fine" by AnnDee Ellis. And now I'm mad because I know a) Kami stole my "Rampant" and b) didn't tell me she has "Sisters Red"!

What is your idea of comfort reading?

Kami: If given the choice, I'll always reach for a paranormal romance or an urban fantasy. I also re-read my favorite books over and over.

Margie: It's all comfort reading to me. I sleep with books in my bed. Like a dog, only without the shedding and the smelling.

Have you written the next book already? What's next for Lena and Ethan?

Margie: We are revising the next book now. I don't want to give too much away, but summer in Gatlin isn't always a vacation.

Kami: I would describe book two as intense and emotional. For Ethan and Lena, the stakes are even ! higher.

Margie: That's true. Book two involves tru! e love, broken hearts, the Seventeenth Moon, and cream-of-grief casseroles…

Kami: Gatlin at it's finest!

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Southwestern Dreamcatcher - Style 35153

• Measures 9'' diameter x 34'' long
• Great gift idea.

A center spiral surrounded by hypnotically fluttering feathers, leather accents and colorful carved wood beads is topped by an antler's horn to catch your Western dream from the wind. 9'' diameter x 34'' long.

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"What's Happening to Me?" A Guide to Puberty

• ISBN13: 9780818403125
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Discusses the mental and physical changes that take place during puberty.

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Job One: Experiences of New Professionals in Student Affairs (American College Personnel Association Series)

• ISBN13: 9780761827849
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Maybe I Should…Case Studies on Ethics for Student Affairs Professionals is designed to help graduate students and new to midlevel student affairs professionals heighten their knowledge of sensitivities to professional ethics in practice. Hamrick and Benjamin encourage professionals to identify and articulate plausibleâ€"as well as preferredâ€"strategies for addressing ethically problematic situations, and develop rationales to justify particular ethical decisions and actions. Readers are provided with strategies for analyzing cases as well as a number of targeted cases for consideration and analysis. Additionally, resources and suggestions are offered to instructors and facilitators who seek t! o incorporate professional ethics and case study analysis into formal educational or staff development activities in student affairs.WINNER OF THE LOUIS BROWNLOW BOOK AWARD!

The massive bureaucratic reorganization under the Department of Homeland Security was a response to the system-wide coordination problems brought to light on 9/11. Better planning, new leadership, and far-reaching reform were to demonstrate that the U.S. had learned its lessons well, that it would be prepared for the next attack or disaster. But the catastrophic response to Hurricane Katrina unequivocally showed how this restructuring has not brought about the kinds of long term policy changes that are necessary to deal effectively and efficiently with threats--whether manmade or natural.

Is the system permanently broken? Should FEMA be removed from DHS or abolished altogether? Donald Kettl, in this thoroughly updated second edition, takes a hard look at the most recent stress on the system! . He explores how the 9/11 Commission forever changed public d! iscourse on the topic as well as discusses the ways in which FEMA might be reformed. The country faces solvable problems, he argues, yet is in dire need of new leadership at every level. In his brief, gripping narrative, Kettl assesses how well the U.S. political system responds under extraordinary pressure and asks if the focus will continue to be on fighting the last war. There is small chance the catastrophe that lies ahead will replicate the last one. Is the government ready to face that next challenge?The Mexican-American War (1846-1848) found Americans on new terrain. A republic founded on the principle of armed defense of freedom was now going to war on behalf of Manifest Destiny, seeking to conquer an unfamiliar nation and people. Through an examination of rank-and-file soldiers, Paul Foos sheds new light on the war and its effect on attitudes toward other races and nationalities that stood in the way of American expansionism.

Drawing on wartime diaries and letters not pr! eviously examined by scholars, Foos shows that the experience of soldiers in the war differed radically from the positive, patriotic image trumpeted by political and military leaders seeking recruits for a volunteer army. Promised access to land, economic opportunity, and political equality, the enlistees instead found themselves subjected to unusually harsh discipline and harrowing battle conditions. As a result, some soldiers adapted the rhetoric of Manifest Destiny to their own purposes, taking for themselves what had been promised, often by looting the Mexican countryside or committing racial and sexual atrocities. Others deserted the army to fight for the enemy or seek employment in the West. These acts, Foos argues, along with the government's tacit acceptance of them, translated into a more violent, damaging variety of Manifest Destiny.This is a book on how to think - strategically - about foreign policy. Focusing on the American experience, it defines the national i! nterest as a concept in strategic logic and describes how to s! elect ob jectives that will take advantage of opportunities to promote interests, while protecting them against threats. It also discusses national power and influence, as well as the political, informational, economic, and military instruments of state power. Based on a graphic framework that models strategic interrelationships, the book is illustrated with numerous examples from recent American statecraft. It ends with an extended critique of current American foreign policy and a detailed outline of an alternative strategy better suited to the problems of the 21st century.In Job One, editors Peter Magolda and Jill Carnaghi place new professionals' stories "center stage." The book focuses on nine narratives written by new professionals about their introduction and transitions into Student Affairs work. These stories document the joys and angst felt as new professionals prepare to transition from graduate school-to-work, search for their first Student Affairs position, assimil! ate campus norms, formulate a professional identity, satisfy supervisors' expectations, mediate cultural conflicts, and remain true to their personal and professional values. This book is a useful resource inviting new professionals, supervisors, and faculty to think differently about the on-going education and needs of new professionals, while offering a new perspective for optimizing new professionals' experiences. Co-published with American College Personnel Association.

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Envy (Luxe, Book 3)

• ISBN13: 9780061345746
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A man and a woman tread the lines of danger, desire, and deliverance in the new novel of the Fallen Angels from the #1 New York Times bestselling author of the Black Dagger Brotherhood series.

As the son of a serial killer, homicide detective Thomas "Veck" DelVecchio, Jr., grew up in the shadow of evil. Now, on the knife-edge between civic duty and blind retribution, he atones for the sins of his father- while fighting his inner demons. Assigned to monitor Veck is Internal Affairs officer Sophia Reilly, whose interest in him is both professional and arousingly personal. And Veck and Sophia have another link: Jim Heron, a mysterious stranger with too many answers... to questions! that are deadly. When Veck and Sophia are drawn into the ultimate battle between good and evil, their fallen angel savior is the only thing that stands between them and eternal damnation.

Murder is such a dirty word…

New York Times bestselling adult true crime author Gregg Olsen makes his YA debut with EMPTY COFFIN, a gripping new fiction series for teens based on ripped-from-the-headlines stories…with a paranormal touch.

Crime lives--and dies--in the deceptively picture-perfect town of Port Gamble (aka “Empty Coffin”), Washington. Evil lurks and strange things happen--and 15-year-olds Hayley and Taylor Ryan secretly use their wits and their telepathic “twin-sense” to uncover the truth about the town's victims and culprits. 

 

Envy, the series debut, involves the mysterious death of the twins' old friend, Katelyn. Was it murder? Suicide? An accident? Hayley and Taylor are ! determined to find out--and as they investigate, they stumble ! upon a d ark truth that is far more disturbing than they ever could have imagined.

 

Based on the shocking true crime about cyber-bullying, Envy will take you to the edge--and push you right over.

Jealous whispers. Old rivalries. New betrayals.

Two months after Elizabeth Holland's dramatic homecoming, Manhattan eagerly awaits her return to the pinnacle of society. However, when she refuses to rejoin her sister Diana's side, those watching New York's favorite family begin to whisper that all is not as it seems behind the stately doors of No. 17 Gramercy Park.

In this thrilling installment of Anna Godbersen's bestselling Luxe series, Manhattan's most envied residents appear to have everything they desire: Wealth. Beauty. Happiness. But sometimes the most practiced smiles hide the most scandalous secrets. . . .

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Hoodwinked (Widescreen Edition)

• A new spin on an old fable. In this film, Red, Granny, The Big Bad Wolf and the Woodman, all face Detective Flippers as he attempts to determine the 'real' events of the Little Red Riding Hood story. Original songs and witty humor fill this fun and adventurous film. Format: DVD MOVIE Genre: CHILDREN Rating: PG Age: 796019791090 UPC: 796019791090 Manufacture

So you think you know the story of Little Red Riding Hood. Don’t be too sure. . . . One of your favorite fairy tales is turned upside-down and inside-out in what the L.A. Times called "high-energy, imaginative entertainment." With irreverent storytelling, spunk and wit, Hoodwinked delivers a comedy caper for the young, the young at heart and everyone in between. When the police arrive at Granny’s cottage in the woods to answer a domestic disturbance call, it looks like just another open-and-shut case. But Red, Granny, the B! ig Bad Wolf and the Woodsman are not your usual suspects, as they have their own dark secrets, wily deceptions and conflicting accounts of the crime. Together, they must put aside their differences and find their own original twist on Happily Ever After in this "raucous, genre-busting, animated gem (Entertainment Weekly, The Must List)."Hoodwinked fuses the classic fairy tale of Little Red Riding Hood with the crisscrossing storylines of film noir--pretty ambitious stuff for a computer-animated cartoon. The police cordon off Grandma's cottage and an amphibious version of William Powell named Nicky Flippers (voiced by David Ogden Stiers, M*A*S*H) begins interrogating the suspects: A Little Red in bell-bottoms (Anne Hathaway, Ella Enchanted), a Wolf turned investigative journalist (Patrick Warburton, The Woman Chaser), a snow-boarding Granny (Glenn Close, 101 Dalmatians), and a dimwitted would-be Woodsman (Jim Belushi, Curly! Sue), each of whom have very different reasons for ending! up in t hat cottage living room. The visual style of Hoodwinked mixes a clunky, video-game look with an homage to the stop-motion puppetry of Rudolph the Red-Nosed Reindeer and other Rankin-Bass holiday specials. While sometimes awkward, there are also moments of surreal beauty, such as when a depressed Red wanders through a field of blue and red flowers--and moments of lunatic comedy, such as the Schnitzel song, which is irresistibly bizarre. The Shrek-style pop-culture references grow annoying, but the left-field goofiness of a yodeling goat points toward a far more distinct and delightful comic world. Also featuring the voices of Anthony Anderson (Kangaroo Jack), rapper Xzibit, and an especially witty turn by Andy Dick (NewsRadio) as a deceptively cute bunny rabbit. --Bret Fetzer

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Wallmonkeys Peel and Stick Wall Decals - Cape of Good Hope, Kap Der Guten Hoffnung - 36"W x 20"H Removable Graphic

• ALL orders CUSTOM printed. When you place an order, the image is made in the USA, just for you!
• Printed on WHITE, premium, self-adhesive, re-positionable fabric paper.
• No nails, frames or glue. No professional installation required.
• Simply peel and stick! Easy to remove and re-apply.
• BE SURE you ordered the right size for your intended use!

CAPE OF GOOD HOPE is a colorful and vibrant mosaic of love and hope. As upbeat and heartwarming as the blockbuster hit LOVE ACTUALLY, this film beautifully connects a number of storylines, all revolving around a Cape Town animal rescue shelter. Its founder, Kate, who seems to relate better to dogs than to people, is involved with a married man, blinding her to the romantic interest of a kind veterinarian. Her receptionist, Sharifa, desperately wants to have a child and is taking extraordinary steps to do so. Meanwhile, Jean ! Claude, the shelter’s handyman, finds himself torn between his love for a single mother and his desire to immigrate to Canada.

Filmed entirely on location in the Cape Town coastal community of Hout Bay, CAPE OF GOOD HOPE is populated with likable characters you come to care about â€" ordinary people who want to improve their lives. As unexpected plot twists demonstrate, this is possible only by taking a chance. An original romantic comedy, CAPE OF GOOD HOPE will win you over and lift your spirits.

Watch the trailer: http://www.capemovie.comCape of Good Hope is an uplifting collection of engaging melodies and lush arrangements of piano-featured instrumentals. Features guest artist appearances by David Sanborn, Stephen Bishop, Dan Fogelberg, Chris Botti, Richard Elliot and many others. This is the follow-up to Jim's debut album, "Northern Seascape".The first slave reached the Cape in 1653, a year after the first white settler party under Jan van Riebeeck. Thousands ! more would follow.

Slavery was to remain an instit! ution he re until the end of the Dutch period in 1795, and well beyond, for it was not until 1834, under British administration, that Cape slaves were finally emancipated. In Early Slavery at the Cape of Good Hope, Karel Schoeman describes the transplanting of slavery from the Dutch colonies in the East and the first sixty years of its development under local conditions, basing his account mainly on contemporary sources and providing as much information on individual slaves and their lives as these allow. Attention is likewise given to the gradual manumission of slaves and the slow development of a 'free black' community at the Cape towards the close of the seventeenth century.WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally s! ee and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. Our graphics are offered in a variety of sizes and prices.

WallMonkeys are intended for indoor use only.

Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for!

Removable and will not leave a mark on your walls.

'Fotolia' trademark will be removed when printed.

Our catalog of over 10 million images is perfect for virtually any use: school projects, trade shows, teachers classrooms, colleges, nurseries, college dorms, event planners, and corporations of all size.

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