MEREDITH BAXTER ELYSE KEATON, COURTENEY COX LAUREN MILLER , MICHAEL GROSS STEVEN KEATON, MICHAEL J. FOX ALEX P. KEATON, JUSTINE BATEMAN MALLORY KEATON TINA YOTHERS JENNIFER KEATON FAMILY TIES 11X14 PHOTO

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When a four-girl, one-guy rock group called The Mystery gets its first gig at a club, it's not just a chance to perform, it's also an opportunity to get out of the inner city¿and see what life is all about. Fresh out of high school, the group spends the summer playing a club in an exclusive beach resort. There they find romance, adventure and, for the lead singer Jennie Lee (Bateman), a dilemma: to pursue her budding career or return to school. Liam Neeson and Julia Roberts co-star.It's hard to believe there was ever a time when Justine Bateman was a bigger star than Julia Roberts, but Satisfaction is the evidence of that brief moment. It's also a movie unjustly maligned, perhaps becaus! e it's a little more frank about the sexuality of young women than older male movie critics find comfortable. Jennie Lee (Bateman, Family Ties) and her band (Roberts, soon to become one of the biggest movies stars in the world; Trini Alvarado, Little Women; Britta Phillips, later to be the bassist for the rock band Luna; and Scott Coffey, the only actor to appear in both Ferris Bueller's Day Off and David Lynch's Mulholland Drive) go to a beach town where they get a gig playing in a club run by a former songwriter (Liam Neeson, Schindler's List). Over the course of a summer, they fall in love, have sex, and play rock and roll--but the tone and texture of the movie is more American Graffiti than Girls Just Want to Have Fun. Perhaps because Satisfaction was directed by a woman, the girls are startlingly well drawn and distinct, despite the movie's episodic nature. Surprisingly, the music has some grit to it, perhaps bec! ause it was produced by the legendary Steve Cropper (of Booker! T. and the MGs). Even more surprising, Roberts doesn't pop out as a future star; watching Satisfaction, you could imagine that anyone in this strong ensemble--even Justine Bateman--could go on to great things (if anyone stands out, it's Britta Phillips, who then dropped out of movies altogether). Satisfaction is not profound, but it is more honest and nonjudgmental about the messiness of life, youth, and love than the overwhelming majority of teen movies. Debbie Harry has a brief but memorable cameo. --Bret FetzerWhen Lisa Temple (Justine Bateman, TV's Men in Trees) wakes in the hospital after being left for dead in an alley, she remembers nothing - no memories of her bitter personality or her husband Paul's (Peter Outerbridge, Lucky Number Slevin) plans to divorce remain. As Lisa takes delight in the world's simple wonders while relearning how to live, Paul recognizes the woman he originally fell in love with, and the romance return! s to their once-stale relationship. Slowly, memories return, and Lisa comes to terms with her old identity...until one last vision slides in to place, and she realizes with horror the plot she put in motion - and now, needs to end - the night of her tragic accident. Co-starring Kenneth Welsh.It's hard to believe there was ever a time when Justine Bateman was a bigger star than Julia Roberts, but Satisfaction is the evidence of that brief moment. It's also a movie unjustly maligned, perhaps because it's a little more frank about the sexuality of young women than older male movie critics find comfortable. Jennie Lee (Bateman, Family Ties) and her band (Roberts, soon to become one of the biggest movies stars in the world; Trini Alvarado, Little Women; Britta Phillips, later to be the bassist for the rock band Luna; and Scott Coffey, the only actor to appear in both Ferris Bueller's Day Off and David Lynch's Mulholland Drive) go to a be! ach town where they get a gig playing in a club run by a forme! r songwr iter (Liam Neeson, Schindler's List). Over the course of a summer, they fall in love, have sex, and play rock and roll--but the tone and texture of the movie is more American Graffiti than Girls Just Want to Have Fun. Perhaps because Satisfaction was directed by a woman, the girls are startlingly well drawn and distinct, despite the movie's episodic nature. Surprisingly, the music has some grit to it, perhaps because it was produced by the legendary Steve Cropper (of Booker T. and the MGs). Even more surprising, Roberts doesn't pop out as a future star; watching Satisfaction, you could imagine that anyone in this strong ensemble--even Justine Bateman--could go on to great things (if anyone stands out, it's Britta Phillips, who then dropped out of movies altogether). Satisfaction is not profound, but it is more honest and nonjudgmental about the messiness of life, youth, and love than the overwhelming majority of teen movies. Debbie ! Harry has a brief but memorable cameo. --Bret FetzerDocumentaries fascinate us because they offer a rare look into the private lives of public figures, and E! True Hollywood Story is no exception. Its episodes cover topics such as Hollywood secrets, scandals, murders, mysteries and "where-are-they-now?" looks at former stars. This Armchair Guide offers behind the scenes footage of celebrities ranging from Demi Moore to Rod Serling.

Project Webster represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Project Webster continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in ! the sharing of human knowledge.Out of Order is the dark, witty! story o f the beauty and brutality of a long-term marriage as seen through the eyes of writer Mark Colm (Stoltz), who aspires to make art with his wife, Lorna (Huffman). Their latest project â€" a script for an A-list director (Bogdanovich) â€" is complicated by Lorna’s battle with clinical depression. She begins to self-medicate with Steven (Macy), a washed-up producer. Mark has always remained faithful to Lorna despite a wandering eye and blatant come-ons from a school mom, Annie (Bateman). He finds himself becoming obsessed with sexy soccer mom Danni (Dickens). Wanting to be a good man, but finding himself longing to stray, Mark realizes that he is guilty of the crime of being human.Actress Justine Bateman ('Family Ties'), writing as a fictionalized, bitter version of herself as seen on Illeana Douglas' original comedy Web series 'Easy to Assemble.'
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